Airan Wright: Tenor Sax
Silverlode: Composition, Audio Production
Mi Lumiere
Just Enough Time
Airan Wright: Bassoon
Performing with Origin of Animal
David Keller: Composition
Marcus Padgett: Audio Production
Airan Wright: Video Production
| Origin of Animal | |
|---|---|
| Trevor Watkin | Flute |
| Richard Zili, Colleen Griggs | Clarinet |
| Airan Wright | Bassoon |
| Amos Gillespie, James Baum | Alto Sax |
| Andy Schlinder, Kyle Madsen | Tenor Sax |
| Marcus Padgett | Bari Sax |
| John Dorhauer | Trumpet |
| Justin Amolsch | Horn |
| Maddi Srajer | Trombone |
| Najeeba Syed, Scott Daniel | Violin |
| David Keller, Nora Barton | Cello |
| Patrick Dinnen, Doug Johnson, Dan Thatcher | Bass |
| Rich Poston, Sam Krahn | Guitar |
| Matt Gunsaulus | Keyboard |
| Darren Bartolo | Prepared Piano |
| Larry Beers | Drums |
| Hershyl Edwards | Percussion |
Jelly Book
Airan Wright: Soprano Sax
Performing with Origin of Animal
Rich Poston: Composition
Marcus Padgett: Audio Production
Airan Wright: Video Production
| Origin of Animal | |
|---|---|
| Trevor Watkin | Flute |
| Richard Zili, Colleen Griggs | Clarinet |
| Airan Wright | Soprano Sax |
| Amos Gillespie | Alto Sax |
| Andy Schlinder, Kyle Madsen | Tenor Sax |
| Marcus Padgett | Bari Sax |
| John Dorhauer | Trumpet |
| Justin Amolsch | Horn |
| Najeeba Syed | Violin |
| David Keller, Nora Barton | Cello |
| Patrick Dinnen, Doug Johnson, Dan Thatcher | Bass |
| Rich Poston, Sam Krahn | Guitar |
| Matt Gunsaulus | Keyboard |
| Larry Beers | Drums |
| Hershyl Edwards | Percussion |
O, Had I Jubal’s Lyre (from Joshua)
The 100% Natural Good-Time Wright Family-Band Solution
Airan Wright: Flute
Kelly Wright: Vocals
Music by George Frideric Handel
Airan Wright: Arrangement, Audio/Visual Production
| Song Information | |
|---|---|
| Instrumentation | Soprano Voice, Flute, Oboe, Trombone, Marimba |
| Audio | Logic Pro (Recording), Adobe Audition (Editing) |
| Video | Premiere Pro |
Motion Picture Soundtrack
Airan Wright: Bassoon
Performing with Ravenswood Winds
Radiohead: Composition
Lily Floeter: Arrangement, Audio/Visual Production
| Ravenswood Winds | |
|---|---|
| Lily Floeter | Flute |
| Laura Perkett | Oboe |
| Colleen Griggs | Clarinet |
| Justin Amolsch | Horn |
| Airan Wright | Bassoon |
Chaos/Composed
Airan Wright: Clarinet, Soprano Sax, Alto Sax, Bassoon
Recording with Origin of Animal, Chicago Composers Orchestra
| Origin of Animal | |
|---|---|
| Trevor Watkin | Flute, Alto Flute, Piccolo, Oboe |
| Richard Zili | Clarinet |
| Nyketa Dicesare | Bassoon, Contrabassoon |
| Airan Wright | Clarinet, Soprano Sax, Alto Sax, Bassoon |
| James Baum | Alto Sax |
| Andy Schlinder | Tenor Sax |
| Marcus Padgett | Bari Sax |
| John Dorhauer | Trumpet |
| Justin Amolsch | Trumpet, Horn |
| Maddi Srajer | Trombone |
| Peter Lograsso, Elisabeth Johnson | Violin |
| David Keller, Nora Barton | Cello |
| Dan Thatcher | Bass |
| Rich Poston | Guitar |
| Larry Beers | Drums |
| Andy Deitrich | Vibraphone |
Using Trends to Predict the Evolution of UX Design
by Airan Wright
Effective UX Design provides individuals with a bridge into any given experience. Today this looks like a screen on a phone, laptop or watch but, as our world continues to evolve, these bridges do as well. How UX Design changes with the rest of the world can be seen through the lens of current trends, both digital and social. Keeping up with these trends helps designers predict where to invest their time learning best practices in order to build innovative and disruptive experiences for future projects.
Read Full White Paper
(Originally published December 17, 2019 for Magenic Technologies Inc.)
Ravenswood Winds Play Radiohead
Airan Wright: Bassoon
Performing with Ravenswood Winds Live at Evanston SPACE
Radiohead: Composition
Airan Wright, Lily Floeter, Justin Amolsch: Arrangements
Charlie Malave: Camera, Post-Production
Airan Wright: Video Production
| Ravenswood Winds Play Radiohead Set List | Arranged by |
|---|---|
| Meeting in the Aisle (Airbag/How Am I Driving?, 1998) | Airan Wright |
| Creep (Pablo Honey, 1993) | Lily Floeter |
| Myxomatosis (Hail to the Thief, 2003) | Justin Amolsch |
| Nice Dream (The Bends, 1995) | Airan Wright |
| Motion Picture Soundtrack (Kid A, 2000) | Lily Floeter |
| Just (The Bends, 1995) | Justin Amolsch |
| Kid A – Everything In Its Right Place (Kid A, 2000) | Justin Amolsch |
| Treefingers (Kid A, 2000) | Airan Wright |
| Knives Out (Amnesiac, 2001) | Lily Floeter |
| Fake Plastic Trees (The Bends, 1995) | Justin Amolsch |
| Wolf at the Door (Hail to the Thief, 2003) | Justin Amolsch |
| Paranoid Android (OK Computer, 1997) | Justin Amolsch |
| Karma Police (OK Computer, 1997) | Justin Amolsch |
| Ravenswood Winds | |
|---|---|
| Lily Floeter | Flute |
| Laura Perkett | Oboe |
| Colleen Griggs | Clarinet, Bass Clarinet |
| Justin Amolsch | Horn |
| Airan Wright | Bassoon |
Rex Koko American Bystander Ad
Airan Wright: Design
Client: James Finn Garner
Project: Print Ad
Twice, Thrice, Frice
Airan Wright: Photography
Client: Silk Road Rising
Fouad Teymour: Writer
Patrizia Acerra: Director
World Premiere – October 1–November 10, 2019
Co-Produced with International Voices Project
| Project Information | |
|---|---|
| Camera | Canon 50D |
| Lenses | EF 15mm f/2.8, EF 40mm f/2.8, EF 50mm f/1.8 II, EF 28-70mm f/3.5-4.5 II, EF Telephoto 300mm f/2.8 IS II USM |
| Production URL | https://www.silkroadarchives.org/blog/twice-thrice-frice-production |
| Additional URL | The Arts Section: Theatre Review – Silk Road Rising’s World Premiere TWICE, THRICE, FRICE… |